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Language: English
M

M

“Who is the murderer?”
Original title: M - Eine Stadt sucht einen Mörder
8.1 /10 (2,502) PG-13age 1931 1h 50m
Drama Thriller Crime
Director Fritz Lang
Screenplay Fritz Lang, Thea von Harbou
2 wins
Fritz Lang's groundbreaking early sound film stars Peter Lorre as Hans Beckert, a child murderer whose crimes terrorize Berlin so thoroughly that both the police and the city's organized criminal underworld launch parallel manhunts to catch him — the criminals wanting him gone before increased police scrutiny disrupts their own rackets. Lang's use of sound, still novel to cinema at the time, becomes a tool of dread itself, particularly Beckert's ominous whistled theme that signals his presence before he's even seen. Lorre's performance, oscillating between menace and pathetic self-loathing, gives the film a moral complexity rare for the era's crime pictures. Widely considered one of the most influential films ever made, it laid essential groundwork for the psychological thriller and film noir.
Release
May 11, 1931
Budget
Country
Germany
Revenue

Cast

Reviews

IMDb 8.3/10
🍅 100%
TMDB 8.1/10
★★★★★★★★★★
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Trailer

M
Official trailer
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From the same director: Fritz Lang

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Where to watch M? M is available for streaming on HBO Max, YouTube TV, Criterion, TCM.
Who stars in M? The main cast of M includes Peter Lorre, Ellen Widmann, Inge Landgut, Otto Wernicke, Theodor Loos.
Who directed M? M (1931) is directed by Fritz Lang.
How long is M? M has a runtime of 1h 50m. It was released in 1931.
What genre is M? M is a Drama, Thriller, Crime film. It has a rating of 8.1/10 with 2,502 votes.

Cast

Synopsis

Fritz Lang's groundbreaking early sound film stars Peter Lorre as Hans Beckert, a child murderer whose crimes terrorize Berlin so thoroughly that both the police and the city's organized criminal underworld launch parallel manhunts to catch him — the criminals wanting him gone before increased police scrutiny disrupts their own rackets. Lang's use of sound, still novel to cinema at the time, becomes a tool of dread itself, particularly Beckert's ominous whistled theme that signals his presence before he's even seen. Lorre's performance, oscillating between menace and pathetic self-loathing, gives the film a moral complexity rare for the era's crime pictures. Widely considered one of the most influential films ever made, it laid essential groundwork for the psychological thriller and film noir.

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