Gaspar Noé's hallucinatory drama follows Oscar, a young American drug dealer in Tokyo, entirely from his own disembodied perspective — first as a first-person viewpoint through his final hours alive, then as a spectral, out-of-body consciousness drifting through the memories, deaths and futures of the people he loved after he's killed in a police raid. Shot with dizzying, unbroken long takes simulating psychedelic drug trips and astral projection, the film pushes formal experimentation to its extreme, rarely cutting away from its floating camera's god's-eye perspective. Paz de la Huerta co-stars as Oscar's sister and stripper, whose spiraling grief becomes the film's emotional center once his spirit begins watching over her. Noé's most divisive and formally audacious work, 'Enter the Void' remains a landmark of experimental, transgressive art cinema.