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Sreenivasan
Sreenivasan
69 years (Apr 6, 1956 – Dec 20, 2025)
Thalassery, Kerala, India
168 Movies
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Full Filmography
Nancy Rani
Mess Mohan
★ 3.0
2025
Film
Kurukkan
Krishnan Rajasekharan
★ 4.7
2023
Film
Pyali
Zayidh
★ 6.8
2022
Film
Keedam
Balan
★ 6.2
2022
Film
Mohan Kumar Fans
Paulutty
★ 5.5
2021
Film
Uriyadi
Pappettan
★ 6.0
2020
Film
Love Action Drama
Shoba's Father
★ 6.1
2019
Film
And The Oscar Goes To...
Aravindan
★ 7.0
2019
Film
Naan Petta Makan
Dharmarajan
★ 3.0
2019
Film
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Frequently Asked Questions
Is Sreenivasan still alive?
Sreenivasan passed away on December 20, 2025 at age 69.
What are the most famous roles of Sreenivasan?
Sreenivasan is best known for roles in Njan Prakashan, Nadodikkattu, Thattathin Marayathu.
How many movies has Sreenivasan been in?
Over a 48-year career (since 1977), Sreenivasan has appeared in 168 movies and 0 TV shows.
What was Sreenivasan's first movie?
The career of Sreenivasan began with The Tolling of the Bells (1977).
What is Sreenivasan's most recent movie or series?
Sreenivasan's most recent release is Nancy Rani, which premiered on June 18, 2025.
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Sreenivasan
Sreenivasan
1956-04-06 · Thalassery, Kerala, India

Sreenivasan was an Indian film actor and screenwriter known for his work in Malayalam cinema. He has written for over 50 films and has acted in over 200 films. He has also directed and produced two films each.

Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), and Ayal Kadha Ezhuthukayanu (1998), among others. As a writer and actor, he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As an actor, he has collaborated several times with Mohanlal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998).

Sreenivasan’s scripts in the 1980s and 1990s brilliantly portrayed the amusing part of pulp fiction stories that appeared in a majority of substandard Malayalam magazines while not to mention his valiant effort in explaining the negative influence of such contents to society. Through his subtle humour, he was, on the other hand, pretty successful in providing incredible insights into the militant labour unions that are largely responsible for the closure of many industries in Kerala.

Sreenivasan has created a new dimension for Malayalam cinema by way of humour to tell stories in the simplest manner.

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