Rainer Werner Fassbinder was a German director born in Bad Wörishofen, the most prolific and provocative figure of the New German Cinema movement of the 1970s. Working at extraordinary speed, he completed over forty films in roughly fifteen years, among them Ali: Fear Eats the Soul, a spare melodrama about an interracial romance, and The Marriage of Maria Braun, which used one woman's rise to chart West Germany's postwar reconstruction. His work drew heavily on the emotional artifice of Hollywood melodrama, particularly Douglas Sirk, while turning a caustic eye on class, race, and sexuality in German society. Fassbinder died at thirty-seven, but his volume, range, and unflinching subject matter left him the most widely studied director of his generation.
Rainer Werner Fassbinder
37 years (May 31, 1945 – Jun 10, 1982)Bad Wörishofen, Germany
31 Directed3 Series
Rainer Werner Fassbinder was a German director born in Bad Wörishofen, the most prolific and provocative figure of the New German Cinema movement of the 1970s. Working at extraordinary speed, he completed over forty films in roughly fifteen years, among them Ali: Fear Eats the Soul, a spare melodrama about an interracial romance, and The Marriage of Maria Braun, which used one woman's rise to chart West Germany's postwar reconstruction. His work drew heavily on the emotional artifice of Hollywood melodrama, particularly Douglas Sirk, while turning a caustic eye on class, race, and sexuality in German society. Fassbinder died at thirty-seven, but his volume, range, and unflinching subject matter left him the most widely studied director of his generation.
Rainer Werner Fassbinder (31 May 1945 — 10 June 1982) was a German film director, screenwriter, and actor. Considered one of the most important figures in the New German Cinema, Fassbinder was prolific; in a professional career less than fifteen years, he completed forty feature-length films, two television film series, three short films, four video productions, twenty-four stage plays, and four radio plays.
He had tortured, personal relationships with the actors and technicians around him who formed a surrogate family. However, his pictures demonstrate his deep sensitivity to social outsiders and his hatred of institutionalized violence. He ruthlessly attacked both German bourgeois society and the larger limitations of humanity.
Fassbinder died in June 1982 at the age of 37 from a lethal cocktail of cocaine and barbiturates. His death has often been cited as the event that ended the New German Cinema movement.
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