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Language: English
Double Feature

Double Feature

Original title: Sesión continua
5.5 /10 (12) 1984 1h 55m
Drama
Director José Luis Garci
Screenplay José Luis Garci, Horacio Valcárcel
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Release
Jun 22, 1984
Budget
Country
Spain
Revenue

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Who stars in Double Feature? The main cast of Double Feature includes Adolfo Marsillach, Jesús Puente, María Casanova, José Bódalo, Encarna Paso.
Who directed Double Feature? Double Feature (1984) is directed by José Luis Garci.
How long is Double Feature? Double Feature has a runtime of 1h 55m. It was released in 1984.
What genre is Double Feature? Double Feature is a Drama film. It has a rating of 5.5/10 with 12 votes.

Cast

Synopsis

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

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