Marcella Rovena is one of the more persistent actresses of her generation recognizable to viewers well beyond any single title. Neither the cinema nor the television half of the career can be called the side project. In cinemas, 'The Leopard' is the work that stuck — Peasant Woman, specifically. 'White Nights' is a second title with real reach. The first screen credit dates from 1932. The filmography leans toward drama.