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Sreenivasan
Sreenivasan
Edad 69 años (6 abr 1956 – 20 dic 2025)
Lugar de nacimiento Thalassery, Kerala, India
Películas 168

Sreenivasan

Actor · Guionista
Películas (168 títulos)
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Filmografía completa 168
Nancy Rani
Mess Mohan
★ 3.0
2025
Kurukkan
Krishnan Rajasekharan
★ 4.9
2023
Pyali
Zayidh
★ 6.6
2022
Keedam
Balan
★ 6.1
2022
Mohan Kumar Fans
Paulutty
★ 5.5
2021
Uriyadi
Pappettan
★ 6.0
2020
Love Action Drama
Shoba's Father
★ 6.1
2019
Naan Petta Makan
Dharmarajan
★ 3.0
2019
And The Oscar Goes To..
Aravindan
★ 6.9
2019
Preguntas Frecuentes
¿Sreenivasan sigue vivo?
Sreenivasan falleció el 20 de diciembre de 2025 a los 69 años.
¿Cuáles son los papeles más conocidos de Sreenivasan?
A Sreenivasan se le conoce sobre todo por Njan Prakashan, Nadodikkattu, Thattathin Marayathu.
¿En cuántas películas ha actuado Sreenivasan?
A lo largo de 48 años de carrera (desde 1977), Sreenivasan ha aparecido en 168 películas y 0 series.
¿Cuál fue la primera película de Sreenivasan?
La carrera de Sreenivasan arrancó con The Tolling of the Bells (1977).
¿Cuál es la película o serie más reciente de Sreenivasan?
La obra más reciente de Sreenivasan es Nancy Rani, estrenada el 18 de junio de 2025.
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Sreenivasan
Sreenivasan
1956-04-06 · Thalassery, Kerala, India

Sreenivasan was an Indian film actor and screenwriter known for his work in Malayalam cinema. He has written for over 50 films and has acted in over 200 films. He has also directed and produced two films each.

Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), and Ayal Kadha Ezhuthukayanu (1998), among others. As a writer and actor, he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As an actor, he has collaborated several times with Mohanlal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998).

Sreenivasan’s scripts in the 1980s and 1990s brilliantly portrayed the amusing part of pulp fiction stories that appeared in a majority of substandard Malayalam magazines while not to mention his valiant effort in explaining the negative influence of such contents to society. Through his subtle humour, he was, on the other hand, pretty successful in providing incredible insights into the militant labour unions that are largely responsible for the closure of many industries in Kerala.

Sreenivasan has created a new dimension for Malayalam cinema by way of humour to tell stories in the simplest manner.

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