Edward Yang was a Taiwanese director born in Shanghai and raised in Taipei, one of the founding figures of Taiwanese New Cinema alongside Hou Hsiao-hsien. Taipei Story and Terrorizers established his precise, architecturally composed examination of alienation within Taiwan's rapidly modernizing urban landscape. A Brighter Summer Day, an epic, nearly four-hour account of teenage gang violence in 1960s Taipei based on a real murder case, became one of the most acclaimed films of Taiwanese cinema for its vast social and historical scope. Yi Yi, following a middle-class Taipei family across a year of quiet crises and reconciliations, won Yang the Best Director award at Cannes and became his most internationally celebrated film shortly before his death from cancer. Yang's precise, socially attuned examination of Taiwan's modernization made him, alongside Hou, one of the two defining figures of Taiwanese New Cinema.
Edward Yang
Director · Writer
中国上海, Cina中国上海, Shanghai, Cina
Nov 6, 1947 – Jun 29, 2007
Age59years
Directed13
Edward Yang was a Taiwanese director born in Shanghai and raised in Taipei, one of the founding figures of Taiwanese New Cinema alongside Hou Hsiao-hsien. Taipei Story and Terrorizers established his precise, architecturally composed examination of alienation within Taiwan's rapidly modernizing urban landscape. A Brighter Summer Day, an epic, nearly four-hour account of teenage gang violence in 1960s Taipei based on a real murder case, became one of the most acclaimed films of Taiwanese cinema for its vast social and historical scope. Yi Yi, following a middle-class Taipei family across a year of quiet crises and reconciliations, won Yang the Best Director award at Cannes and became his most internationally celebrated film shortly before his death from cancer. Yang's precise, socially attuned examination of Taiwan's modernization made him, alongside Hou, one of the two defining figures of Taiwanese New Cinema.
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.