Arturo Ripstein is a Mexican director born in Mexico City, celebrated for dark, unflinching melodramas exploring cruelty, obsession, and moral degradation within closed domestic spaces. Castle of Purity, an early landmark following a tyrannical father who imprisons his family, established his recurring interest in domestic authoritarianism, while The Place Without Limits, an adaptation of a José Donoso novel set in a brothel, became a landmark of queer Latin American cinema. Deep Crimson, a fictionalized account of real-life serial killers, and Aunt Alejandra extended his fascination with desperate, doomed characters rendered through extended, theatrical long takes. Long working with screenwriter and novelist Paz Alicia Garciadiego, Ripstein has built one of the most sustained and internationally respected careers in Mexican art cinema.
Arturo Ripstein
82 years (Dec 13, 1943)Mexico City, Mexico
37 Directed1 Series
Arturo Ripstein is a Mexican director born in Mexico City, celebrated for dark, unflinching melodramas exploring cruelty, obsession, and moral degradation within closed domestic spaces. Castle of Purity, an early landmark following a tyrannical father who imprisons his family, established his recurring interest in domestic authoritarianism, while The Place Without Limits, an adaptation of a José Donoso novel set in a brothel, became a landmark of queer Latin American cinema. Deep Crimson, a fictionalized account of real-life serial killers, and Aunt Alejandra extended his fascination with desperate, doomed characters rendered through extended, theatrical long takes. Long working with screenwriter and novelist Paz Alicia Garciadiego, Ripstein has built one of the most sustained and internationally respected careers in Mexican art cinema.
Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director.
Ripstein got his break into movies working as an uncredited assistant director for Luis Buñuel. In 1965, he directed his first feature, Tiempo de Morir. Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. His 1981 film Seduction was entered into the 12th Moscow International Film Festival. His 1989 film Love Lies was entered into the 16th Moscow International Film Festival. In 1997 Ripstein won the National Prize of Arts and Sciences, the second filmmaker after Buñuel to do so. Some of Ripstein's films, especially the earlier ones, "highlighted characters beset by futile compulsions to escape [their]destinies". Many of his films are shot in tawdry interiors, with bleak brown color schemes, and seedy pathetic characters who manage to achieve a hint of pathos and dignity. Asi Es la Vida, according to Jonathan Crow, "boldly reworks the ancient Greek drama Medea, employing a dizzying array of flashbacks and Brechtian devices". Deep Crimson, according to the New York Times, is "a ferociously anti-romantic portrait of an obese nurse and a seedy small-time gigolo whose bungling scheme to swindle a succession of lonely women out of their life savings turns into a killing spree."
Recently Viewed
Your experience, your call
We use cookies for analytics and ads. Without them, the site works just as well.