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Alfredo del Diestro
Alfredo del Diestro

Alfredo del Diestro

Actor
65 years (Oct 7, 1885 – Feb 20, 1951)Valparaíso, Chile
Known for
  1. 1934 Rosalio Mendozain El compadre Mendoza
  2. 1933 Colonel Julián Carrascoin Prisoner 13
  3. 1939 El médico (Doctor Gutiérrez)in La casa del ogro
Known for
  1. 1934 Rosalio Mendozain El compadre Mendoza
  2. 1933 Colonel Julián Carrascoin Prisoner 13
  3. 1939 El médico (Doctor Gutiérrez)in La casa del ogro
Full Filmography
Frequently Asked Questions
Is Alfredo del Diestro still alive?
Alfredo del Diestro passed away on February 20, 1951 at age 65.
What are the most famous roles of Alfredo del Diestro?
Alfredo del Diestro is best known for roles in Neither Blood Nor Sand, El compadre Mendoza, The Crying Woman.
How many movies has Alfredo del Diestro been in?
Over a 29-year career (since 1922), Alfredo del Diestro has appeared in 17 movies and 0 TV shows.
What was Alfredo del Diestro's first movie?
The career of Alfredo del Diestro began with María (1922).
What is Alfredo del Diestro's most recent movie or series?
Alfredo del Diestro's most recent release is Un milagro de amor, which premiered on December 9, 1949.
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Alfredo del Diestro
Alfredo del Diestro
1885-10-07 · Valparaíso, Chile

Actor and film director, born in Valparaíso Chile, October 7, 1885, died in Mexico City in 1951. Son of Spanish merchant Juan del Diestro and Italian pianist Matilde Cavaletti, Alfredo del Diestro spent his adolescence in Havana with his parents. In 1900 he returned to Colombia with the theatrical company Juan del Diestro, formed by him and his younger brother Juan. The company remained in the country until 1903, when it resumed its transhumance through Central America and the Caribbean. In Havana he met the Mexican actress Emma Roldán, and married her.

In 1920, when he was doing a season at the Municipal Theater of Cali, he met Francisco Antonio Posada, who proposed him to co-direct with the Spaniard Máximo Calvo the silent feature film María. Del Diestro did the art direction, directed the dialogues and the staging. He returned to Mexico in 1924, where he continued working in film. His most outstanding performance was in the feature film Allá en el rancho grande, made in 1936.

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Known for
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