Abel Ferrara is an American director born in the Bronx, New York, celebrated for gritty, morally chaotic films examining crime, addiction, and spiritual desperation in New York City. Ms .45, an exploitation revenge thriller, and King of New York established his taste for stylish, morally ambiguous crime narrative, while Bad Lieutenant, following a corrupt, drug-addicted police detective's spiraling moral collapse and desperate search for redemption, became his most acclaimed and notorious film, anchored by an unrestrained Harvey Keitel performance. The Addiction, an unusually philosophical vampire film shot in stark black and white, extended his fascination with addiction as spiritual affliction. Ferrara's consistently raw, spiritually searching examination of New York's criminal underworld has made him one of the most significant independent crime directors of his generation.
Abel Ferrara
75 years (Jul 19, 1951)The Bronx, New York, USA
27 Directed2 Series
Abel Ferrara is an American director born in the Bronx, New York, celebrated for gritty, morally chaotic films examining crime, addiction, and spiritual desperation in New York City. Ms .45, an exploitation revenge thriller, and King of New York established his taste for stylish, morally ambiguous crime narrative, while Bad Lieutenant, following a corrupt, drug-addicted police detective's spiraling moral collapse and desperate search for redemption, became his most acclaimed and notorious film, anchored by an unrestrained Harvey Keitel performance. The Addiction, an unusually philosophical vampire film shot in stark black and white, extended his fascination with addiction as spiritual affliction. Ferrara's consistently raw, spiritually searching examination of New York's criminal underworld has made him one of the most significant independent crime directors of his generation.
Abel Ferrara (Italian: [ferˈraːra]; born July 19, 1951) is an American filmmaker. He is best known for the provocative and often controversial content in his movies and his use and redefinition of neo-noir imagery. A long-time independent filmmaker, some of his best known movies include the New York-set, gritty crime thrillers The Driller Killer (1979), Ms .45 (1981), King of New York (1990), Bad Lieutenant (1992), and The Funeral (1996), chronicling violent crime in urban settings with spiritual overtones.
Ferrara also worked in a wide array of genres, including the sci-fi remake Body Snatchers (1993), cyberpunk thriller New Rose Hotel (1998), the religious drama Mary (2005), the black comedy Go Go Tales (2007), and the biopic Pasolini (2014), as well as in several documentary filmmaking projects.
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